Thursday, November 30, 2006
Wednesday, November 29, 2006
Tuesday, November 28, 2006
Wanted: dead or alive
WANTED: DEAD OR ALIVE
£1000, 000 REWARD
For information leading to the arrest, assasination or otherwise disposal of Anthony Osborne, aka The Cut-Up Kid, aka Tony The Rat, aka Champagne Charlie.
Wanted for grand lacerny, grievous philosophical arrogance and insurrection against the soul.£1000, 000 REWARD
For information leading to the arrest, assasination or otherwise disposal of Anthony Osborne, aka The Cut-Up Kid, aka Tony The Rat, aka Champagne Charlie.
If spotted, approach with caution, this character is known to be dangerous.
Monday, November 27, 2006
Wednesday, November 22, 2006
Monday, November 20, 2006
Perpetual Motion Machine (excerpt from a work in progress).
James Chrome: Psychology as Artwork, the Artwork as Psychology
The Journal of Aberrant Psychology, vol. XXIII (Autumn 2005) 204 - 220
(excerpted from)
During this period, Frankie Zorn, while initiating no other contact with friends or colleagues, began to put together a series of constructs made up of miscellaneous elements. Much study remains to be carried out on these works, not least of which for the fact that, while doubtless each construct holds a variety of meanings for Zorn, the import remains extremely fugitive for any commentator. They represent a rich field of hermeneutic enquiry and the sheer density of association is likely to keep the critics (and psychologists!) busy for some time to come. Zorn is perhaps the most highly allusive artist in any medium since his beloved James Joyce and the critical enquiry into his work is still in its infancy.
The constructs would arrive at irregular intervals, each addressed to and clearly created for, a particular individual.
One such work, entitled Perpetual Motion Machine, delivered to Celia Crescent,consists of the following elements:
A) Pair of scuffed brown brogue shoes, identified as having been worn by James Joyce, Paris 1922-23.
B) Green silk scarf.
C) Sealed clear glass vitrine, apparently empty, bearing label stating: burning leaves, Autumn, 1997.
D) Audio tape, bearing label stating: NASA computer breakdown, the music of the quasars.
E) Strip of 35 mm film, identified as infamous section excised from Zorn's Dallas Impromptu, the so-called pornographic section colloquially known as Monroe's Revenge.
In parenthesis, it should be stated that Ms Crescent herself is clearly in possession of more information than the average Zorn commentator, but insists on playing her cards close to her chest, so to speak. To date she has volunteered little insight to any prospective interpreter. Given her closeness to Zorn, and considering the virulence of his oft-expressed opinions of critics, this is not surprising.
The Journal of Aberrant Psychology, vol. XXIII (Autumn 2005) 204 - 220
(excerpted from)
During this period, Frankie Zorn, while initiating no other contact with friends or colleagues, began to put together a series of constructs made up of miscellaneous elements. Much study remains to be carried out on these works, not least of which for the fact that, while doubtless each construct holds a variety of meanings for Zorn, the import remains extremely fugitive for any commentator. They represent a rich field of hermeneutic enquiry and the sheer density of association is likely to keep the critics (and psychologists!) busy for some time to come. Zorn is perhaps the most highly allusive artist in any medium since his beloved James Joyce and the critical enquiry into his work is still in its infancy.
The constructs would arrive at irregular intervals, each addressed to and clearly created for, a particular individual.
One such work, entitled Perpetual Motion Machine, delivered to Celia Crescent,consists of the following elements:
A) Pair of scuffed brown brogue shoes, identified as having been worn by James Joyce, Paris 1922-23.
B) Green silk scarf.
C) Sealed clear glass vitrine, apparently empty, bearing label stating: burning leaves, Autumn, 1997.
D) Audio tape, bearing label stating: NASA computer breakdown, the music of the quasars.
E) Strip of 35 mm film, identified as infamous section excised from Zorn's Dallas Impromptu, the so-called pornographic section colloquially known as Monroe's Revenge.
In parenthesis, it should be stated that Ms Crescent herself is clearly in possession of more information than the average Zorn commentator, but insists on playing her cards close to her chest, so to speak. To date she has volunteered little insight to any prospective interpreter. Given her closeness to Zorn, and considering the virulence of his oft-expressed opinions of critics, this is not surprising.
Saturday, November 18, 2006
Friday, November 17, 2006
Thursday, November 16, 2006
Tuesday, November 14, 2006
Friday, November 10, 2006
Five things about me
I have been tagged by Mr Cultural Snow (www.culturalsnow.blogspot.com) , so I have to think of five things about me ... right, I'm such a fascinating, multi-faceted chappie, that should be easy ... um ... let me think ... um
Right.
1)When I was three, I bit my tongue in half. My parents had to rush me to hospital, and then rush back home again to pick up the other half and rush back to hospital so the surgeons could sew it back on. The operation was, more or less, successful.
2)I got my nose broke in Staines town centre late one night many years ago, by some aggressive normals, for wearing bondage trousers ... I was a very early punk.
3)I play a mean alto sax ... a very mean alto sax.
4)My brain functions have been irreparably warped by intense and prolonged exposure to William Burroughs at an early and impressionable age. Thankfully.
5)I have delusions of omnipotence followed by bouts of intense self-loathing.
PLEASE LEAVE THE FOLLOWING IN ALL POSTS
'Remember that it isn't always the sensational stuff that writers are looking for, it can just as easily be something that you take for granted like having raised twins or knowing how to grow beetroot. Mind you, if you know how to fly a helicopter or have worked as a film extra, do feel free to let the rest of us know about it.'
Right.
1)When I was three, I bit my tongue in half. My parents had to rush me to hospital, and then rush back home again to pick up the other half and rush back to hospital so the surgeons could sew it back on. The operation was, more or less, successful.
2)I got my nose broke in Staines town centre late one night many years ago, by some aggressive normals, for wearing bondage trousers ... I was a very early punk.
3)I play a mean alto sax ... a very mean alto sax.
4)My brain functions have been irreparably warped by intense and prolonged exposure to William Burroughs at an early and impressionable age. Thankfully.
5)I have delusions of omnipotence followed by bouts of intense self-loathing.
PLEASE LEAVE THE FOLLOWING IN ALL POSTS
'Remember that it isn't always the sensational stuff that writers are looking for, it can just as easily be something that you take for granted like having raised twins or knowing how to grow beetroot. Mind you, if you know how to fly a helicopter or have worked as a film extra, do feel free to let the rest of us know about it.'
Thursday, November 09, 2006
King For A Day
I was peeled,
Skinless.
They found me at the city dump,
Looking for eternity
In an empty tin can.
(The intoxicating residue
of tomato sauce
and one squashed baked bean.
Empires have tottered
and fallen for less).
Here I stand,
My reeking, rotting
Kingdom.
Life is good
When you're a man of substance.
Licenced fool,
Lord of Misrule.
I shall sit here
All the day long
And drool.
Skinless.
They found me at the city dump,
Looking for eternity
In an empty tin can.
(The intoxicating residue
of tomato sauce
and one squashed baked bean.
Empires have tottered
and fallen for less).
Here I stand,
My reeking, rotting
Kingdom.
Life is good
When you're a man of substance.
Licenced fool,
Lord of Misrule.
I shall sit here
All the day long
And drool.